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 suinner is an interdisciplinary artist and culture worker known for projects concentrating
on representations of our diverse realities - gathering together presentations of emotion and identity rooted experiences.
Status quo challenging, curious, immersive and experimental projects, that have the examination of politics,
histories, responses and responsibilities of bod(y/ies) in relation to their surroundings is what they naturally are drawn to.

The latest involvements of suinner has had to do with intake, installing sound and food as well as other concentrated or
immersive installation experiences that have to do what we intake and affect.

They are a founding member of Ruskeat Tytöt Ry (eng. Brown Girls ngo), Club U-Haul and Pehmee (eng. The Soft Collective.)
All these projects have started from the need for radically feminist, QTBIPOC safety and joy centering spaces.
Creating more intentional creative outlets and educational programs, from club nights to international cultural platforms feels
important. Firstly for us by us and then eventually so, for the benefit of all.


Catching (what u throwing)

A kiss where lips barely touch,
here we negotiate, 
Can I slip into your mouth?


You can tell me how far.

Um.
Want to be a stripper to my rapper?
Want to throw?
Sidequest to a dark corner of the club.

I sit and you back up 

You whine,
slide, bounce.
And
I realize that the difference
of platonic part
and this,

is the grip.

The way I catch
will affect how you throw,
because how else would you know
the rhythm, the beat,
will determine
if someone is getting beat and ate. 

If you throw, I will catch. 


Catching (what u throwing) is a morning hour text that you did not dare to send, a poem to a lesbian lover that begged to be screamed out loud.

Performance is loosely a continuation of suinners & the soft collectives project; hit different.
A performative gesture to share personal experiences of life with/through music.
On stage, a man and guitar type of situation, emoting invited. Serenading in a language of respectful club queer erotics, Catching looks to dance within skin, between bodies as electric invite to consider oneself and others in space. All this while talking about the obsession of falling,

The linger, the repetition, the pulse.
Now, it's for you.

DETAILS

FORMAT:
performance, poem, listening session, dj

DURATION:
20:00 min

LANGUAGE:
ENGLISH

CONTENT NOTES

manifesto, loitering

ADDITIONAL CREDITS

Set & Styling: Val Holfeld
Production assistance: Meriam Trabelsi

EXHIBITED

Urbanapa 2025

Learners, Builders

Food display; It’s all there - breaking, sharing, rebuilding, moulding, communicating about future.

To speak of this food, this gathering, as if the very earth hums beneath it,
as if stories untold reside in the curve of a pickled onion,
the whisper of a seaweed chip.

Listen. This ain't just food laid out for the eye to skim over.
This here is where a conversation started, a hand offered across a divide.
You gotta come together, see?

You cant have your own piece.
And don't be shy now, go on and touch the food

Lean in close, love. Closer still.
Smell the salt of the sea clinging to the crumble, the sharp tang of the vinegar that woke up those onions.
These ain't just tastes; they're memories waiting to be stirred.

And when your hands get sticky, good.
That means you've been part of the making,
the taking apart, the putting back together. 

Now, you gotta look at it.
Not just a glance, but a long, slow gaze.
See the way the colors play, the shapes they make.
Maybe what you thought it was at first ain't what it truly is.
Ain't nothing wrong with being wrong, you hear?
Sometimes the sweetest truths hide behind a mistaken glance.

This ain't just about eating. This is about building.
Building bridges between what you know and what you're about to understand.
Each taste, each texture, a layer added to the story. 


 

DETAILS

vegan, sweets

EXHIBITED

M-Cult, Minna Tarkka Lectures
Kiasma Museum of Contemporary Art, Helsinki, Finland

MENU

Miso Soup Jelly

Seaweed Crumble

Seaweed Chips

Archipelago Bread

Radishes with Butter

Pickled Onions

Carrot patty

Ginger-Wasabi Buttercream

Carrot-Blood Orange Relish

Fennel and Blood Orange Salad

Plantain-Cracker Sand

Caramelized Red Onions

Pickled Radishes

Olive Oil-Chocolate Cake

Chocolate Supernut Cookies 

Soil, Strain, and Sustenance: A Messy Journey Through the Triangular Trade

Food display that invites contemplation on the origins and
impact of coffee, sugar, and cacao.

of kin & ecological depth
bitter, sticky
and a bit nasty
deep, bended and burned.

returning
to ask sensory questions
about intake, indulgence
and access.

trials
coffee sugar cacao
soil strain triangual trade
oversupply and indulgense
oppressors table is set

overconsuption overrule
consentration trough prayer
burned bended reformed
fika?

DETAILS

vegan, sweets

EXHIBITED

Kin & Ecological Depth
Group Exhibition curated by Val Holfeld
Ve.Sch Kunstverein, Wien

MENU

chili coffee jellies

milk coffee jellies

brownie crumble

chocolate cookies

kewra water lollipop

seaweed/sesame/flaxseed bark

mocha toffee

coffee lollipop

chia champagne lollipop

salt sticks & crackers w/ mocha buttercream

Dosed

constitutes a material investigation into the profound lived experience of chronic illness. The sculptures are meticulously constructed from materials centrally defined as medical trash—specifically, discarded elements such as used syringes, pharmaceutical packaging, and pills. These clinical remnants are strategically combined with everyday functional items, such as a syringes. A shoe crusted in glimmering glitter.

This rigorous juxtaposition—merging the sterile, the disregarded, and the personal—articulates the complex tension between internal emotional states and the necessity of daily routines when pharmacological maintenance of the body's functional capacity becomes the core of existence. By formally transforming these materials of medical disposal, the trash-sculptures interrogate a fundamental question: How does an individual negotiate modes of living and being when autonomy is directly contingent upon sustained medical intervention and the inherent physical and material waste it produces? The completed works function as tangible expressions of dependency, embodying the critical relationship between the body and the material residue of a life navigated at the intersection of medicine and the mundane.

DETAILS

trash sculptures; medical supplies and everyday items

CONTENT NOTES

diabetes, rutines

EXHIBITED

Vastavuoroisuuksia,
Vantaan taidemuseo ARTSI, 12.2. - 31.5.2019