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 suinner is an interdisciplinary artist and culture worker known for projects concentrating
on representations of our diverse realities - gathering together presentations of emotion and identity rooted experiences.
Status quo challenging, curious, immersive and experimental projects, that have the examination of politics,
histories, responses and responsibilities of bod(y/ies) in relation to their surroundings is what they naturally are drawn to.

The latest involvements of suinner has had to do with installing sound and food, as well as other concentrated or
immersive installation experiences that have to do what we intake and affect.

They are a founding member of Ruskeat Tytöt Ry (eng. Brown Girls ngo), Club U-Haul and Pehmee (eng. The Soft Collective.)
All these projects have started from the need for radically feminist, QTBIPOC safety and joy centering spaces.
Creating more intentional creative outlets and educational programs, from club nights to international cultural platforms feels
important. Firstly for us by us and then eventually so, for the benefit of all.



Do play with food

Do Play with the Food is an interactive game encouraging players to dive in, break standard etiquette, and embrace mannerless behaviour around food.

The game is played on a board of sauces,
condiments and edible sand that are placed on the surface
to create a landscape.
Players use manna balls to navigate the board, or plantain bits - as you wish

Designed for two or more people,
the game does not come with more instructions.

Asked to dive in,
figure out how to score!

MENTIONS

Berlin Art Link

Doing It With Others: Minna Tarkka Lectures 2025
by Adela Lovric

“Caroline Suinner’s unruly food spread⁠—an assemblage of gooey, creamy and crumbly bits and pieces, laid out for hands-on engagement, whether to eat or to play with. Playfulness initially faltered against the disciplined atmosphere of the grand art institution, mirroring the very social conditioning Hejazi seeks to “reprogram.” Play had to be practiced again, pushed through internalized constraints, rewiring our capacity for free expression⁠ and bringing us back to a place of collective imagination.“

READ FULL ARTICLE HERE


DETAILS

FORMAT:
food display

vegan, sweets

EXHIBITED

M-Cult, Minna Tarkka Lectures
Kiasma Museum of Contemporary Art, Helsinki, Finland 2025

MENU

Fried Plantain

Boiled Manna

Edible Sand

Sbapple (Sweet Boiled Apple)

Run Black Manna

Sugar Shards

Buttercream Black Truffle,

Buttercream Earl Grey

Black and White Grass Jellies

PHOTOS

Haliz Yosef

Meriam Trabelsi

Learners, Builders

Food display; It’s all there - breaking, sharing, rebuilding, moulding, communicating about future.

To speak of this food, this gathering, as if the very earth hums beneath it,
as if stories untold reside in the curve of a pickled onion,
the whisper of a seaweed chip.

Listen. This ain't just food laid out for the eye to skim over.
This here is where a conversation started, a hand offered across a divide.
You gotta come together, see?

You cant have your own piece.
And don't be shy now, go on and touch the food

Lean in close, love. Closer still.
Smell the salt of the sea clinging to the crumble, the sharp tang of the vinegar that woke up those onions.
These ain't just tastes; they're memories waiting to be stirred.

And when your hands get sticky, good.
That means you've been part of the making,
the taking apart, the putting back together. 

Now, you gotta look at it.
Not just a glance, but a long, slow gaze.
See the way the colors play, the shapes they make.
Maybe what you thought it was at first ain't what it truly is.
Ain't nothing wrong with being wrong, you hear?
Sometimes the sweetest truths hide behind a mistaken glance.

This ain't just about eating. This is about building.
Building bridges between what you know and what you're about to understand.
Each taste, each texture, a layer added to the story. 


 

DETAILS

FORMAT:
food display

vegan, sweets

EXHIBITED

M-Cult, Minna Tarkka Lectures
Kiasma Museum of Contemporary Art, Helsinki, Finland 2025

MENU

Miso Soup Jelly

Seaweed Crumble

Seaweed Chips

Archipelago Bread

Radishes with Butter

Pickled Onions

Carrot patty

Ginger-Wasabi Buttercream

Carrot-Blood Orange Relish

Fennel and Blood Orange Salad

Plantain-Cracker Sand

Caramelized Red Onions

Pickled Radishes

Olive Oil-Chocolate Cake

Chocolate Supernut Cookies 

PHOTOS

Haliz Yosef

Soil, Strain, and Sustenance: A Messy Journey Through the Triangular Trade

Food display that invites contemplation on the origins and
impact of coffee, sugar, and cacao.

of kin & ecological depth
bitter, sticky
and a bit nasty
deep, bended and burned.

returning
to ask sensory questions
about intake, indulgence
and access.

trials
coffee sugar cacao
soil strain triangual trade
oversupply and indulgense
oppressors table is set

overconsuption overrule
consentration trough prayer
burned bended reformed
fika?

DETAILS

FORMAT:
food display

vegan, sweets

EXHIBITED

Kin & Ecological Depth
Group Exhibition curated by Val Holfeld
Ve.Sch Kunstverein, Wien 2025

MENU

chili coffee jellies

milk coffee jellies

brownie crumble

chocolate cookies

kewra water lollipop

seaweed/sesame/flaxseed bark

mocha toffee

coffee lollipop

chia champagne lollipop

salt sticks & crackers w/ mocha buttercream

PHOTOS

Martin Vesely

David Einwallner

Industry Muscle: Five Scores For Architecture

Industry Muscle: Five Scores for Architecture is an exhibition created by Teo Ala-Ruona and the working group exploring the modernist built environment through the lens of trans embodiment. Combining architecture, performance, and installation, the exhibition proposes five speculative scores for the architecture of the future.

The work was presented in the Nordic Countries Pavilion, at the 19th International Architecture Exhibition of La Biennale di Venezia, and commissioned by the Architecture & Design Museum Helsinki and curated by architect Kaisa Karvinen. 

Industry Muscle considers the trans body as a lens through which to examine modern architecture and the built environment, establishing a dialogue with the celebrated architecture of the Nordic Countries Pavilion, designed by Sverre Fehn and completed in 1962. By contrasting Fehn’s canonical work of modernism against an alternative model for architectural practice that takes trans embodiment as its starting point, the exhibition will offer insights into the relationships between architecture, the body, and ecological collapse.

In Industry Muscle the audience is invited to consider the Nordic Pavilion, as well as architecture more broadly, as a stage for sociopolitical norms that are embedded in fossil-based culture. The staging of the exhibition places the visitor at the centre of an architectural experience where all participants are on display, enacting everyday performances. In Ala-Ruona’s interventions, the trans body crowbars its way into this structure and reveals the blueprint within.

Industry Muscle unfolds through five speculative scores that serve as critical prompts for future architectural practice. Scores are used in performance art as tasks, notations, and exercises that provide instructions for a performer. The exhibition brings this concept to the field of architecture, using the following speculative / theoretical themes:

Impurity: Questioning the modernist ideal of purity inherent in both architecture and lifestyle.
Decategorisation: Challenging practices based on categorisation and separation within the built environment.
Performance: Investigating how architecture and spatial design shape everyday performances of gender and identity.
Techno-body: Recognising the dynamic interaction between body, building, and technology, while advocating for bodily autonomy.
Reuse: Approaching the trans body as a form of reuse and a tool for ecological thinking.

Industry Muscle working group is a multidisciplinary team of collaborators including architect A.L. Hu, set designer and artist Teo Paaer, sound designer Tuukka Haapakorpi, dramaturge Even Minn, visual artist Venla Helenius, fashion designer Ervin Latimer, graphic designer Kiia Beilinson and performers Kid Kokko, Caroline Suinner, and Romeo Roxman Gatt. Each member of the working group has contributed their own artistic part to the exhibition.

DETAILS

FORMAT:
new dance

CONTENT NOTES

street, club & rave culture

WORKING GROUP

Dialogue Architect
A.L. Hu

Spatial Designer and Artist
Teo Paaer

Sound Artist
Tuukka Haapakorpi

Visual Artist
Venla Helenius

Graphic Designer
Kiia Beilinson

Fashion Designer
Ervin Latimer

Dramaturge
Even Minn

Performers
Teo Ala-Ruina, Romeo Roxman Gatt,
Kid Kokko, Caroline Suinner

Introduction text, vision and project management
Teo Ala-Ruona

EXHIBITED

2025, Nordic Countries Pavilion, at the 19th International Architecture Exhibition of La Biennale di Venezia

PHOTOS

Venla Helenius


TRAILER

Cocoa Productions
Directed by Taito Kawata

Extensive International Press Coverage

Teo Ala-Ruona: Parachorale

Being tattooed is both pleasurable and painful. Perhaps through the hole made in the skin, a distressed body can momentarily find solace. We sense something that reason cannot explain; it feels like the touch of a spider web on our skins. 

Parachorale speaks to the experience of inner dissonance. At its heart lies the desire to share an under-the-skin world and to create a new understanding of the reality with the audience in the moment of the performance. Parachorale challenges the othering gaze that views transcorporeality as exceptional in society. It asks how private the experience truly is, and how many genuinely feel at home in their own skin.

The performers weave a web with the audience, stripping and shaking loose the frames of conventional reality. Parachorale trusts in our capacity to reimagine ourselves and our communities, transcending the limits imposed by language. It calls us to feel and listen more intently, to surrender to the absurd spectrum of corporeal existence.

Parachorale is a new work by Teo Ala-Ruona and the working group, continuing Ala-Ruona’s series of works addressing the psychosomatic extremes of transcorporeality and paranormal potential.


DETAILS

FORMAT:
new dance, performance

DURATION:
60:00 min

CONTENT NOTES

tattoo, paranormal, tactile hallucination, transembodiment

WORKING GROUP

Concept, direction
Teo Ala-Ruona

Text
Teo Ala-Ruona, Even Minn, Tuukka Haapakorpi

Performance
Teo Ala-Ruona, Caroline Suinner, Anni Puolakka, Pauliina Sjöberg, Tuukka Haapakorpi

Choreography
Teo Ala-Ruona, Raoni Muzho Saleh

Dramaturgy
Even Minn

Sound design and composition
Tuukka Haapakorpi 

Costume and set design
Teo Paaer

Light design
Sofia Palillo 

Performance dramaturgy:
Ami Karvonen

Featuring tattoo artist
Spider Nykänen

Costume designer assistants
Nour Ainasoja, Pauliina Sjöberg

Sound designer assistant
Linda Lazarov

Production
Baltic Circle, Teo Ala-Ruona, Even Minn

EXHIBITED

Baltic Circle, Helsinki, 2024

XS-festival, Kutomo, Turku, 2024

Vleeshall, Middelburg, 2025

PHOTOS

Patricia Carlitos

Kaisa Nieminen & Marika Peura: down below things shudder


Honey on the rocks, lava in the spine.
Lä-ääh, lä-ääh, uuuh aaah! (or how does one transcribe the ocean?)
Body rolling, body rolling, heavy waves through my muscle tonus.
Eyes low, wavy like the sea, the landscape listens.
Wait, can you feel it?
Another body wave gyrating through me.
I want you to notice it, I made it for you!
My sweat, my lava - a grandiloquent sequence.
Ooops, oh my!
Can you come closer?

The work dives into the intimacy of dancing, choreographically deriving from the context of street, club & rave culture, dances and relationalities. ‘Grinding’ as its movement landscape, five dancers engage in a search of pleasures of the dancing body; sensual and sexual energies, frantic expressions and the thrill of the social play grounded in intimate exploration.

The name of the piece is a line from poet Rebecca Tamás poem WITCH VOLCANO. (Tamás 2019: 103).

DETAILS

FORMAT:
new dance

CONTENT NOTES

street, club & rave culture

WORKING GROUP

Choreography
Kaisa Nieminen, Marika Peura

Dancers
Selma Kauppinen, Lau Lukkarila, Kaisa Nieminen, Caroline Suinner, Marika Peura

Sound designer
Tiikka Drama

Light designer
Luca Sirviö

Set designer
Virpi Nieminen

Costume designer
Joona Huotari

Dramaturg
Hanna-Kaisa Tiainen

Producer
Kaisa Nieminen, Marika Peura

Co-production Tanssin talo

Support Finnish Culture Fund (as part of Dance House Helsinki’s SPARKS project), Taiteen edistämiskeskus

Teaser video
Eva-Liisa Orupold

Performance footage
Teemu Kyytinen

EXHIBITED

Premiere
13.4.2023 Pannu Hall, Dance House Helsinki

Tour dates
15.2.2024 Ice Hot Nordic Platform, Riksscenen Oslo

5.-6.7.2024 Institute of Contemporary Arts London (ICA)

PHOTOS

Promo photos
Venla Helenius

Performance photos
Roza Ahmad

Marika Peura: Amalgam Melee

Amalgam Melee sets off from the artist’s inner contradictions in relation to cultural heritage, Brownness, Whiteness, hierarchies of power and violence in the context of Finnish society. How these frictions wield with a double-edge effect; exploring the body where the mechanisms of white supremacy are present both as the one exercising power and the one subjected to it. On stage Peura works with pink tsinelas (which means flip-flops in Tagalog) and a “hela belt” (in Finnish helahoito) with a knife. The decorative knife belt is a part of the traditional regional national costume of south Ostrobothnia in Finland, worn by men. These objects connect and symbolize different aspects of her cultural heritage.

"Amalgam melee" refers to a chaotic or disorderly situation where various elements or entities have merged into a single, mixed-up mass in a disorganised manner. "Amalgam" implies a mixture or combination, while "melee" suggests a confused or disorderly situation involving struggle or conflict. The work delves into the emotional and expressive body; within the conflicts of this ‘third space’, as the means and potential to reach a political sense of self. 

DETAILS

FORMAT:
new dance

DURATION:
app. 60min

CONTENT NOTES

Brownness, Whiteness, hierarchies of power and violence in the context of Finnish society

WORKING GROUP

Choreography, concept, performance
Marika Peura

Sound design
Tiikka Drama

Spatial design
Una Auri

Light design
Luca Sirviö

Dramaturgy
Caroline Suinner, Ricardo

Costume design
Helmi Hagelin

Production
Zodiak – Center for New Dance,
Kaisa Nieminen, Marika Peura

Supported by
Koneen Säätiö

PR photos
Haliz Yosef

Mask/head design in PR photo
Marika Peura with construction by Helmi Hagelin

Performance photos
Haliz Yosef

Teaser film
Haliz Yosef

Visual Identity & Graphic Design
Caroline Suinner

Performance footage & trailer
Teemu Kyytinen

EXHIBITED

Premiere 5.9.2024 Zodiak Centre for New Dance, Helsinki

Touring
2025 international ImPulsTanz Festival 2025 at WUK Vienna

PHOTOS

Haliz Yosef

Catching (what u throwing)

A kiss where lips barely touch,
here we negotiate, 
Can I slip into your mouth?


You can tell me how far.

Um.
Want to be a stripper to my rapper?
Want to throw?
Sidequest to a dark corner of the club.

I sit and you back up 

You whine,
slide, bounce.
And
I realize that the difference
of platonic part
and this,

is the grip.

The way I catch
will affect how you throw,
because how else would you know
the rhythm, the beat,
will determine
if someone is getting beat and ate. 

If you throw, I will catch. 


Catching (what u throwing) is a morning hour text that you did not dare to send, a poem to a lesbian lover that begged to be screamed out loud.

Performance is loosely a continuation of suinners & the soft collectives project; hit different.
A performative gesture to share personal experiences of life with/through music.
On stage, a man and guitar type of situation, emoting invited. Serenading in a language of respectful club queer erotics, Catching looks to dance within skin, between bodies as electric invite to consider oneself and others in space. All this while talking about the obsession of falling,

The linger, the repetition, the pulse.
Now, it's for you.

DETAILS

FORMAT:
performance, poem, listening session, dj

DURATION:
20:00 min

LANGUAGE:
ENGLISH

CONTENT NOTES

manifesto, loitering

ADDITIONAL CREDITS

Set & Styling: Val Holfeld
Production assistance: Meriam Trabelsi

EXHIBITED

Urbanapa 2025

Dosed

Trash sculptures created from medical supplies and everyday items.

Each and every day
religiously follow the pattern
let it be beautiful, you shall believe - it will be alright
SAVIOUR IN A SYRINGE
hang on my neck
crusted in diamonds
the kind we can afford to buy
bills are stacking up
shoes get bigger
HIGHER

MY FEET HEAVY LIKE HELL
I can’t get to where you are going
so I move slow, I pray that I make it somewhere
I listen to…
but I breathe so heavy I can't hear

BRAIN MOVES TOO FAST
ANGER and SHAME but a pill helps
don’t drown and play the game
two for breakfast, seven for dinner
stay up, sleep deep
adding sparkle
to the RELEAF

Material investigation into the lived experience of chronic illness. The sculptures are constructed from medical trash. Discarded elements such as syringes, pharmaceutical packaging, beer cans, pills and binded together with crafty materials.

The sterile, the disregarded, and the personal, Amen.
Tension between internal emotional states and the necessity of daily routines when pharmacological maintenance of the body's functional capacity becomes the core of existence. By formally transforming these materials of medical disposal, the trash-sculptures interrogate a fundamental question: How does one negotiate forms of living and being alive when autonomy is directly contingent upon sustained medical intervention? What are the connection points between practising one’s religious and health guidelines as life’s sustainers?

Works function as expressions of dependency, speaking of the critical relationship between the body and the directions, residue in a life navigated at the intersection of routine, orders, will and wan’t.
And if anything - trial, and error.

DETAILS

FORMAT:
3 piece trash sculpture collection

ITEMS:

  • heavy are the feet of the one
    who steps light - shoe

  • religiously, daily - cross

  • weekly cocktails, but cute - can

CONTENT NOTES

diabetes, rutines

EXHIBITED

Vastavuoroisuuksia
Vantaan taidemuseo ARTSI
12.2. - 31.5.2019

OMVF /
Oulun musiikkivideofestivaali
2021

PHOTOS

Anna Autio